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A visualization from Forms of Attraction by Emily Chu.
A visualization from Forms of Attraction by Emily Chu.

Parsons MS Data Viz Partners with The Met to Visualize Their Digital Collection

With art from more than 5,000 years in its collection, including 470,000 objects online and 406,000 public domain images, The Metropolitan Museum of Art is one of the most reputable and important art institutions in the world. Now, thanks to the museum’s Open Access program, people can look through The Met’s collection digitally.

Richard The, an assistant professor of data visualization at Parsons School of Design, was inspired by The Met’s digital collections to organize a research collaboration between MS Data Visualization students and The Met. In their projects, students examined topics ranging from the exploratory and investigative to the critical and analytical, touching on subjects including gender equality in the Contemporary Art department, individual artist biographies, and the archetypical shapes in the Fashion department.

“This was a great experience for the students, as they learned about a real data set by a real institution,” says The. “They get to understand real challenges, working with the data but also institutional challenges that might exist.”

The students’ projects have all been built using modern Web technologies and are hosted on Github. Professor The challenged his students to present their data in a way that was aesthetically compelling, easy to navigate, and, ultimately, meaningful.

Ryan Best chose to research how the composition of The Met’s collection has changed throughout the museum’s history by focusing on the countries of origin of objects in the museum’s collection.

“Working in tandem with our partners at The Met was a wonderful learning experience,” says Best. “Having a close working relationship with true subject matter experts helped our class make sure that we were interpreting the data accurately, applying accurate logic and drawing reasonable conclusions from that data, and conducting useful analyses that would be of interest to these stakeholders themselves, helping them draw insight about their collection while telling a story about their collection to a broader audience.”

Best and the other students’ projects are a vital resource for The Met, allowing the institution to reexamine historical and current issues with a new perspective and highlighting the important role that data and the digital archives will play in the museum’s future.

Loic Tallon, chief digital officer at The Met, hopes that the Parsons collaboration, the first of its kind, will inspire future generations of museum visitors and students to use the digital archives to make exciting discoveries.

“These projects by the Parsons Data Visualization students are exciting examples of the new knowledge and narratives we hoped audiences would unlock from the collection by launching the Open Access program,” says Tallon. “There are infinite ways to parse the 5,000 years of human history in The Met collection. We want to empower audiences to participate in that process and use contemporary tools — data visualizations, machine learning, image recognition — to connect with the collection in ways that resonate most with them. The Parsons projects are early milestones in that process. I expect they’ll inspire many more creatives to now follow in their footsteps.”

The Metropolitan Museum of Art also launched a new public API (application programming interface) for the collection. The Met Collection API is a live feed of all Creative Commons Zero (CC0) data and 406,000 images from The Met’s collection, all available to users for use without copyright or restriction.

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